STAFF COMMENTS Matt says: Wild, incendiary, chest-beating psych rock that shoots off the stage like a flamethrower. Now The Oscillation return with a new face-biting album questioning our strange relationship with reality as вЂњUntold FuturesвЂќ. Recent releases include the mutant kosmiche techno of вЂњU.E.FвЂќ, the pounding and otherworldly вЂњWasted SpaceвЂќ from 2018 and the epic exploration of the inner landscapes with вЂњDroneweaponвЂќ. Veering between krautrock edginess, droning medicated tones and noise driven no wave fuzz, The Oscillation recalls the music of Neu! and Tangerine Dream and Loop interpreted with an eye on PilвЂ™s dubbed out punk funk, Miles DavisвЂ™ experimentalism and Spacemen 3вЂ™s strung out blues rock.Д«eginning in 2007, when DC Recordings released the debut вЂњOut Of PhaseвЂќ, The Oscillation have released many albums and EPS both self released and with labels (Fuzz Club and Hands In The Dark and Cardinal Fuzz). Revelatory in its brilliance and an intersection between the individual self and the collective unconscious, this is music to fuel the inner technology of the mind. вЂњHeart Of NowhereвЂќ is a mantra for the profane, while the dissonant beauty of вЂњObscuredвЂќ realises re-birth and resurrection. Its power is felt in the multi-layered dissonance and undying throb of вЂњDilated MindвЂќ, the metaphysical possibilities that beat at the heart of metronomic pulses of вЂњForever KnowingвЂќ and the face-melting attack of вЂњThe Inner VoidвЂќ. Redefining the possibilities of altered states through audio stimulation, вЂњUntold FuturesвЂќ finds The Oscillation at their most daring and breathtaking.ДЄ multi-layered assault on the senses, this is an unexpurgated experience for the seasoned connoisseur and unspoiled novice alike. Indeed, new album 'Untold Futures ' is less a consolidation of all that weвЂ™ve come to love and expect from the cosmic explorers and more a leap forward into an upcoming reality. The OscillationвЂ™s continuing journey into the centre of the mind and beyond shows absolutely no signs of slowing down. It's also deliciously UK-centric, taking influence from everything that makes music one of our island's proudest exports. File alongside other uncatagorizable modern epics such as Avalanches' 'We Will Always Love You' and Prefab Sprout's 'I Trawl The Megahertz', Quiet Village's 'Silent Movie' and Dean Blunt's 'Black Metal 1 & 2' - impossible to pin-down to genre tags and soundbites, a delight to revel in from beginning to end and a truly transportive listen. Its reckless abandonment of any stylistic cliches or formula is where its greatness lies. Peppered with pollical leaning vocal snips and a languid sprawl which reflects the laid back nature of the Leeds-bred artistsвЂ™ permanent residence: Ibiza. It moves through quasi-spiritual jazz, new amalgamations of lover's rock and soundsystem soul before morphing back through blunted beats, hallucinatory downbeat and UK rap. Featuring collaborations with Shabaka Hutchings, Greentea Peng, Haile Supreme, Mara TK, Sabrina Mahfouz & Pip Millett, it's perhaps the legendary producer's 'free-est' album to date the inforced lockdown allowing the 30 years served dance veteran a break from endless touring and a chance to move further away from the dancefloor than previously felt comfortable. 'Shout Out! To Freedom' sees the pivotal talent that is George Evelyn venture into new, exciting and dare-I-say-it, sophisticated realms on his new album.

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